Linkin Park Live - 2025.09.19 - Portland, OR, United States
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Linkin Park performance chronology
| 17 Sep 2025 | 19 Sep 2025 | 21 Sep 2025 |
Back to 2025 | ||
Setlist
  | Walk Like An Egyptian | Pre-show w/ From Zero countdown; The Bangles song |
| Act 1 | Inception Intro B | w/ "Iridescent" Vocals |
| 1. | Somewhere I Belong | Short Intro w/ Scratch |
| 2. | Points Of Authority
Rotation song |
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| 3. | Up From The Bottom | |
| 4. | Crawling
Rotation song |
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| From Zero (Intro) | ||
| 5. | The Emptiness Machine | |
| Act 2 | Creation Intro B | w/ "Iridescent" Vocals |
| 6. | The Catalyst | Shortened (No Third Chorus/Breakdown) |
| 7. | Burn It Down | |
| 8. | Unshatter
Rotation song |
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| 9. | Where'd You Go | Fort Minor song; Shortened (Intro/1st Verse/Final Chorus); Transition Ending |
| 10. | Waiting For The End | Ext. Intro w/ 2024 Synth |
| 11. | Castle Of Glass
Rotation song |
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| 12. | Two Faced | Joe Intro; Ext. Bridge |
| 13. | Joe Solo | w/ Colin |
| Empty Spaces | ||
| 14. | When They Come For Me/Remember The Name | Mike Solo; Mashup; w/ Colin; Ext. Transition w/ "Wastelands" Verse 1 |
| 15. | Keys To The Kingdom
Rotation song |
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| 16. | One Step Closer | 2024 Intro; Ext. Outro w/ Chorus Riff |
| Act 3 | Break/Collapse Transition | |
| 17. | Lost | Stripped (Intro/1st Verse/Chorus) into Full Band; Shortened Bridge |
| 18. | Stained
Rotation song |
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| 19. | What I've Done | |
| Act 4 | Kintsugi Transition | |
| 20. | Overflow | Ext. Synth Intro w/ Beethoven's "Für Elise" |
| 21. | Numb | Disco Style "Numb/Encore" Intro; Disco + Punk Jam Outro |
| 22. | Let You Fade
Rotation song |
Synth Intro |
| 23. | In The End | Sample Outro |
| 24. | Faint | Ext. Outro |
| Act 5 | Resolution Intro B | w/ "Iridescent" Vocals |
| 25. | Papercut | 2024 Intro |
| 26. | Heavy Is The Crown | |
| 27. | Bleed It Out | Ext. Bridge w/ "A Place For My Head" Verse 1; Ext. Outro |
| Other | ( 6 ) |
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| From Zero | ( 5 ) |
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| Hybrid Theory | ( 5 ) |
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| Meteora | ( 3 ) |
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| Minutes To Midnight | ( 2 ) |
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| Living Things | ( 2 ) |
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| A Thousand Suns | ( 2 ) |
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| The Hunting Party | ( 1 ) |
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| The Rising Tied | ( 1 ) |
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Show Notes
- The pre-show From Zero countdown song for this show was "Walk Like An Egyptian" by The Bangles.
- "Points Of Authority" and "Crawling" were rotated into the set in Act I, changing things up from the last performance of Set B (2025.09.13 Los Angeles. California). "Crawling" moving down in the set replacing "Lying From You" and "Points Of Authority" being played in its place.
- "Unshatter" rotated into Act II, in place of "Stained" from the previous performance of Set B. This was the first time the song was featured in this spot.
- Before "Where'd You Go", Mike asked the crowd if they had "noticed how many bananas there are in the crowd" before pointing some out. Emily responded, "I haven't seen a single one yet... I don't know if you're joking or not," to which Mike replied (sounding somewhat offended), "It wasn't a joke... it was an observation." There were several fans dressed in banana costumes at the show.
- On the intro of "Two Faced", Mike said, "Alright my friends. It's time. Now it's time for the bananas to lead us in this next activity." Emily chimed in, "Bananas gotta do banana splits, you know what I gotta say? That's what I gotta say! There's a lot of splits going on in this corner, you know what I mean? ...I'm sorry" After Mike continued to instruct the crowd to let the bananas through, the song began with Emily shouting "Let me see that split!" during the opening riff.
- Colin left the stage during the extended break on "When They Come For Me/Remember The Name", causing Mike to call out to him incredulously: "Where's Colin going?! Colin, what are you doing?! You left the stage! Oh, you're going to go see Jeff? That's okay, I won't bother you then..." He then went into the crowd, hugged the bananas, and gave his signed cap to a little girl named Emma at the barricade. He then rapped verse one of "Wastelands" before "Remember The Name" kicked in, the second time he's ever rapped it on this medley and the first time since 2025.07.09 Frankfurt am Main, Germany (night two).
- "Keys To The Kingdom" rotated into the set in Act III for the first time since 2025.08.06 Montréal, Québec (also night two).
- "Stained" appeared in the ballad rotation slot in Act III, switching spots with "Unshatter" in the set from the previous performance of Set B.
- Mike played "Für Elise" by Beethoven on keyboard over the extended intro of "Overflow" for the first time. Mike has performed this before, playing a snippet of the piece as a brief intro to "LOATR/SOTD/Iridescent" in 2012.09.01 Calgary, Alberta.
- A fan picked 1 for the Colin Control intro on "Numb", leading to a disco-style "Numb/Encore" intro that the whole band got in on, including Emily who sang it like a Bee Gees song. The band continued with a disco jam outro to the song that eventually transitioned into the punk rock style version, the band combining two different styles on the song for the first time.
- "Let You Fade" rotated into Act IV, being performed for the first time since 2025.09.03 Denver, Colorado. This was the first setlist on the tour that featured all three bonus tracks from From Zero.
- Emily sang the whole bridge of "In The End" for the first time. Joe played around with the key samples at the very end of the song.
- Mike rapped verse one of "A Place For My Head" over the extended bridge of "Bleed It Out".
Other Notes
- This show was announced on November 14, 2024 with the From Zero World Tour, exactly 27 years to the day of the band's first Xero show in 1997.
- This was Linkin Park's first show in Portland and the state of Oregon since February 14, 2004.
- Brad Delson attended this show, watching from the side.
Gallery
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Promo -
Tour Admat 1 -
Tour Admat 2 -
Tour Admat 3 -
Linkin Park Promo -
Schedules -
Show Merch -
Poster -
Poster (Signed) -
Ticket -
Ticket -
Ticket -
Setlist -
Setlist -
Pin and Guitar Pick
Photos of the Show
This archive features photos originally shared on Linkin Park and band member social media accounts. Linkinpedia does not claim ownership of any images displayed. All rights remain with the original photographers or rights holders. If you are a photographer, band or label representative and would like photography credit listed or would like a photo removed, please contact us.
Poster
Information (General Poster): Linkin Park has commissioned artist ASKEW ONE to create artwork for a limited-edition poster for the 2025 From Zero World Tour stop in Portland. Each hand-numbered print is limited to 200 copies and is printed on 18" x 24" heavy cold press cotton rag 300gsm paper with a deckle edge.
Information (Signed Poster): Linkin Park has commissioned artist ASKEW ONE to create artwork for a limited-edition poster for the 2025 From Zero World Tour stop in Portland. Signed by the band, each hand-numbered print is limited to 10 copies and is printed on 18" x 24" heavy cold press cotton rag 300gsm paper with a deckle edge.
Artist Bio: Raised in the Aotearoa New Zealand graffiti scene, Elliot O’Donnell or Askew One (as he is widely known), has forged a career that spans decades, continents and creative approaches; from graffiti to design, gallery exhibitions to mural works, illustration to video production. A self-taught multi-disciplinary artist, O’Donnell’s artistic trajectory emerged amidst the multi-cultural melting pot of Tāmaki Makaurau Auckland, the capital of the South Pacific and New Zealand’s largest urban centre; the surrounding environment and diverse cultural influences providing an enduring impact. From these local roots, O’Donnell’s international reputation has grown through collaborations, commissions and exhibitions. Currently residing in Portland, Oregon with his wife and daughter, he has cemented a legacy as one of Aotearoa’s most successful post-Millennial creative exports.
Seeing graffiti as a kind of alchemy where art is created from basic means, O’Donnell immersed himself in the style writing culture in his early teens, beginning a life-long entanglement that remains his most consistent influence. O’Donnell’s artistic evolution has, in many ways, mirrored the maturation of New Zealand urban art, embracing mural and studio work as extensions of his graffiti roots and seeking new pathways and themes.
Absorbing influences, exploring ideas and pushing boundaries, O’Donnell’s art has constantly evolved, revisiting and refining ideas through new filters and re-evaluating process and purpose with an insatiable curiosity. His investigation of letterforms has served as both an ongoing discussion around graffiti’s long-held traditions, while also revealing new directions beyond those foundational parameters, manifesting as studies for paintings, murals, animations, and sculptures. O’Donnell’s expansive post-graffiti practice has explored portraiture, text, abstraction, and investigations of the urban environment, constantly balancing aesthetic and conceptual concerns. The use of technology has been a central feature of O’Donnell’s process, unearthing new terrain and allowing for a conversation between the potential found in the digital and the honesty of the analogue. Shifting between screen, street and studio, compositions are transformed and unlocked as dynamic animations with shifting perspectives that reimagine the artist’s accumulated knowledge and reframe his questions of the world.