Linkin Park Live - 2025.11.08 - São Paulo, Brazil
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Linkin Park performance chronology
| 8 Nov 2025 | 8 Nov 2025 | 11 Nov 2025 |
Back to 2025 | ||
  | Don't You Worry Child | Pre-show w/ From Zero countdown; Swedish House Mafia song |
| Act 1 | Inception Intro C | w/ "Burn It Down" Vocals |
| 1. | Somewhere I Belong | Short Intro w/ Scratch |
| 2. | Lying From You
Rotation song |
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| 3. | Up From The Bottom | |
| 4. | New Divide
Rotation song |
Moscow Intro (Short) |
| 5. | The Emptiness Machine | |
| Act 2 | Creation Intro C | w/ "Burn It Down" Vocals |
| 6. | The Catalyst | Shortened (No Third Chorus/Breakdown) |
| 7. | Burn It Down | |
| 8. | Cut The Bridge
Rotation song |
|
| 9. | Where'd You Go | Fort Minor song; Shortened (Intro/1st Verse/Final Chorus); Transition Ending |
| 10. | Waiting For The End | Ext. Intro w/ 2024 Synth |
| 11. | Lies Greed Misery
Rotation song |
|
| 12. | Two Faced | Joe Intro; Ext. Bridge |
| 13. | Joe Solo | w/ Colin |
| Empty Spaces | ||
| 14. | When They Come For Me/Remember The Name | Mike Solo; Mashup; w/ Colin; Ext. Transition w/ "It's Goin' Down" Verse & Chorus; Ext. Synth Outro |
| 15. | IGYEIH
Rotation song |
|
| 16. | One Step Closer | 2024 Intro; Ext. Outro w/ Chorus Riff; w/ Poppy |
| Act 3 | Break/Collapse Transition | |
| 17. | Lost | Stripped (Intro/1st Verse/Chorus) into Full Band; Shortened Bridge |
| 18. | Good Things Go
Rotation song |
|
| 19. | What I've Done | |
| Act 4 | Kintsugi Transition | |
| 20. | Overflow | Ext. Synth Intro |
| 21. | Numb | "Numb/Encore" Intro w/ Disco Style; Disco Jam Outro |
| 22. | Over Each Other
Rotation song |
|
| 23. | In The End | |
| 24. | Faint | Ext. Outro |
| Act 5 | Resolution Intro C | w/ "Burn It Down" Vocals |
| 25. | Papercut | 2024 Intro |
| 26. | Heavy Is The Crown | |
| 27. | Bleed It Out | Ext. Bridge w/ "A Place For My Head" Verse 1; Ext. Outro |
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Pass The Mic | Beastie Boys song |
| From Zero | ( 8 ) |
| |
| Other | ( 5 ) |
| |
| Meteora | ( 4 ) |
| |
| Hybrid Theory | ( 3 ) |
| |
| A Thousand Suns | ( 2 ) |
| |
| Living Things | ( 2 ) |
| |
| Minutes To Midnight | ( 2 ) |
| |
| The Rising Tied | ( 1 ) |
|
Show Notes
- Like he did at other shows on the South American Tour, Joe came out on stage before the show to take photos of the fans in the crowd. He posts photos on his Instagram story.
- The start of Linkin Park's set was delayed about ten minutes due to the crew clearing the stage catwalk of water.
- The pre-show From Zero countdown song for this show was "Don't You Worry Child" by Swedish House Mafia. The fans did a light show of various colors on their phones to the song.
- Joe put more effects than usual on the "Inception Intro" to start the show.
- The band did not use the "From Zero (Intro)" before "The Emptiness Machine" at this show. Instead, Mike spoke to the crowd and said, "Last time we were here, we were releasing our album From Zero. A lot has changed since then. Thank you for all of the support!"
- On the intro of "Burn It Down", Emily said, "Come on, I wanna see you jump, you ready?" After the song, she said, "Obrigada, Sao Paulo, let's dance!" before "Cut The Bridge" started.
- After "Cut The Bridge", Mike said, "Fucking incredible guys, thank you so much", followed by, "I feel like I could spend like ten minutes reading these signs, people brought so many signs. They are very far away, but I appreciate your affection. Emily called out a sign with the Grammy nominations. Mike: "Yeah, that happened yesterday - it feels like a week ago already." He then asked if any Fort Minor fans were in attendance.
- Mike and Emily walked down the catwalk before "Two Faced" where fans threw items at them. One of the items dealt with the Los Angeles Dodgers which made Emily comment on it.
- Joe came on stage during "When They Come For Me"/"Remember The Name" to take photos of the crowd.
- When Mike went down in the crowd to meet fans on his solo medley, he let a girl introduce her (Alicia?) and he gave her the signed hat. The girl gave Mike a hat in return that she wrote a message on and he said "Obrigado" in response. He signed an album for a fan and then rapped "It's Goin' Down" verse 1 and chorus. Mike played an extended synth outro of the "When They Come For Me" melody after his solo medley in response to fans singing the melody, which then caused them to sing it MUCH louder!
- Poppy joined the band on "One Step Closer" starting on the second verse of the song. After the song, fans chanted her name.
- Mike played the melody of "Pushing Me Away" on synth during the extended intro of "Overflow".
- Emily saw a fan in the crowd before "Numb" who had a sign for a gender reveal and she called Mike to come join her - the reveal was for a girl!
- The band brought the "Control Colin" game back before "Numb". The band went to the end of the catwalk for a fan to pick a number. Number 2 won, which was "disco" and Mike commented he had to run back to the stage to start the song with the band. The band started before he made it back and he could only get to the second half of the intro on vocals. The band played a disco jam after the song.
- Before "Over Each Other", the band took a short break. Emily spoke to the crowd and said, "You sound amazing. I absolutely love it here. I love Brazil." She then told fans with the flares to be careful in the crowd.
- Mike asked Emily if she wanted to play the "In The End" intro and she said no. He played it instead, and messed up very slightly at the end, to which he said, "Just leave it alone!"
- It started raining during "In The End" and continued throughout the rest of the show.
- Fans lit actual fireworks in the pit during "Faint", along with flares that were going on-and-off all show.
- Before "Bleed It Out", Emily walked to the end of the catwalk and said, "We are here and we've got ONE SONG LEFT! If you have any energy left, let's leave it here, ALL OF IT, let's go!"
- Mike rapped verse 1 of "A Place For My Head" over the extended bridge of "Bleed It Out".
Other Notes
- This show was announced on November 14, 2024 with the From Zero World Tour, exactly 27 years to the day of the band's first Xero show in 1997.
- On March 27, 2025, the show date was moved to November 8, 2025 from November 10, 2025 with the restructuring of the South American Tour. Because venues and tickets were not originally announced for South America, the venue was confirmed with ticketing information on that day as well.
- On September 24, 2025, Linkin Park announced Poppy as a guest band for the From Zero South American Tour 2025: "We’re excited to have Poppy join us on our upcoming South America tour. Get tickets at LinkinPark.com/Tour. See you soon."
- Mike said on February 20, 2025 on Discord about Poppy: "I like Poppy. I've known about her since way back when she did the weird youtube stuff. that was great"
- This venue is the location of Linkin Park's legendary show from 2004, their only South American show during the first ten years as a band.
- There were two general posters designed for this show. It is unknown if the band was planning to perform a second night at the venue or not, hence two posters being needed.
Gallery
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Tour Admat (w/ original South American dates) -
South America Tour Admat -
South America Tour Admat w/ Poppy -
Brazil Admat -
Venue Teaser -
Poster 1 -
Poster 2 -
Schedule -
Venue -
LPU Merch Booth -
Wristband -
Wristband -
Wristband -
Wristband -
Shirt -
Pin -
Cup (Signed) -
Ticket -
Ticket -
Ticket -
Setlist -
Setlist
Photos of the Show
COMING SOON
Poster
Information (General Poster 1): Linkin Park has commissioned artist ROSTARR to create artwork for a limited-edition poster for the 2025 From Zero World Tour stop in Sao Paulo. Each hand-numbered print is limited to 100 copies and is printed on 18" x 24" heavy cold press cotton rag 300gsm paper with a deckle edge.
Information (General Poster 2): Linkin Park has commissioned artist Cranio to create artwork for a limited-edition poster for the 2025 From Zero World Tour stop in Sao Paulo. Each hand-numbered print is limited to 100 copies and is printed on 18" x 24" heavy cold press cotton rag 300gsm paper with a deckle edge.
Artist Bio (Poster 1): Romon Kimin Yang, known as ROSTARR, is a multidisciplinary artist whose creative expression spans painting, abstract calligraphy, large-scale murals, experimental filmmaking and design. Born in South Korea in 1971, Rostarr moved to Washington D.C. with his family at the age of one, eventually making New York City his home in 1989 to pursue his studies at the School of Visual Arts, where he majored in graphic design and printmaking. As a self-taught painter, Rostarr has cultivated a unique artistic voice that reflects his diverse influences and experiences.
With over 30 years of experience in the art world, Rostarr harmoniously intertwines the worlds of art and design, creating a distinctive style that blurs their boundaries. His extensive body of work features abstract polymorphic paintings, geometric characters, and predominantly monochromatic calligraphy works. Known for his spontaneous approach to creation, he seeks to explore freedom within style, medium, and form, continuously evolving his distinctive iconographic visual language, which he refers to as "Graphysics." This term embodies the geometric dynamism that characterizes his art.
As a founding member of the Barnstormers collective, established in 1999 by David Ellis and comprising over 30 artists from New York City and Tokyo, Rostarr has collaborated with a vibrant community of creatives.
Rostarr's accolades include being named one of I.D. magazine’s “I.D. 40 Under 30” in 2000 and receiving an honor at the 2004 A.I.C.P. show at the Museum of Modern Art (MoMA) for his significant contribution to the award winning Nike “Flow” campaign. In February 2010, his groundbreaking motion painting film, Kill The Ego, premiered at the Centre Pompidou in Paris, showcasing his innovative approach to visual storytelling.
His work has garnered international recognition, featured in renowned publications such as Artforum, Modern Painters, and The New York Times. Rostarr has held solo exhibitions in major cities including Tokyo, Paris, Milan, New York, Los Angeles, Miami, Hong Kong, and Seoul, while also participating in group exhibitions both nationally and internationally, including the acclaimed Beautiful Losers exhibition, which has traveled to contemporary art centers around the globe.
Clients include: Absolut, Adidas, alife, agnés b., Arc’teryx, Apple, Converse, Diesel, Giro, Helinox, Incase, Medicom, Moncler, Nike, Potatohead Hotel, Stüssy, The Standard Hotel, Yamaha and others.
Artist Bio (Poster 2): Cranio (Fabio de Oliveira Parnaiba, b. 1982, São Paulo) is one of Brazil’s leading urban artists. He began creating street art in 1998, transforming the gray walls of his hometown into vibrant reflections of Brazilian identity.
His signature character — the iconic blue Indian — blends humor, social critique, and pop culture to explore themes like consumerism, inequality, and the environment. Influenced by cartoons, pop art, and surrealism, Cranio’s work is recognized for its vivid colors, symbolic depth, and global reach.
With murals and exhibitions across more than 20 countries, including cities like Paris, London, Berlin, Amsterdam, Chicago and Miami, his art is featured in galleries around the globe and urban art museums throughout Europe.
Celebrated both in the streets and galleries, Cranio’s colorful and thought-provoking works continue to inspire dialogue about culture, identity, and transformation.