Get Me Gone: Difference between revisions
No edit summary |
Hahninator (talk | contribs) |
||
Line 44: | Line 44: | ||
==Background== | ==Background== | ||
In late 2006, Clear Channel Music posted the entire ''The Rising Tied'' album complete with commentaries from Mike Shinoda before each song.<ref>[http://www.lpassociation.com/forum/threads/mike-walks-us-through-the-rising-tied.23046/?t=23046 Mike Walks Us Through 'The Rising Tied' | LP Association Forums], October 27, 2006</ref> On "Get Me Gone", he said, ''"‘Get Me Gone’ is a funny song, because a lot of Linkin Park fans can relate to the stories in it. I remember when we were first getting started there was a guy in our label, who, although he really wanted to understand the band, he just kinda… there were certain times that he just didn’t get it and he wanted us to have a gimmick, uhm, he wanted our DJ to wear a cowboy hat and a lab coat, for example, as a gimmick. He didn’t like my rapping, he wanted us to be more straight-ahead rock band, all stuff that you know, just didn’t make sense for us, it’s not who we are, so lucky for us, the things worked out as far as we put out a record after that and it did well, uh, that way now we get to do what we want to do on the record. Uhm, also there was a time, when people said, that the band was manufactured, and obviously that’s ridiculous, you know, we’ve know each other for years and years and we make all this music, you know, we write all this stuff ourselves, so, I just wanted to address those things in a song. "'' | In late 2006, Clear Channel Music posted the entire ''The Rising Tied'' album complete with commentaries from Mike Shinoda before each song.<ref>[http://www.lpassociation.com/forum/threads/mike-walks-us-through-the-rising-tied.23046/?t=23046 Mike Walks Us Through 'The Rising Tied' | LP Association Forums], October 27, 2006</ref> On "Get Me Gone", he said, ''"‘Get Me Gone’ is a funny song, because a lot of Linkin Park fans can relate to the stories in it. I remember when we were first getting started there was a guy in our label, who, although he really wanted to understand the band, he just kinda… there were certain times that he just didn’t get it and he wanted us to have a gimmick, uhm, he wanted our DJ to wear a cowboy hat and a lab coat, for example, as a gimmick. He didn’t like my rapping, he wanted us to be more straight-ahead rock band, all stuff that you know, just didn’t make sense for us, it’s not who we are, so lucky for us, the things worked out as far as we put out a record after that and it did well, uh, that way now we get to do what we want to do on the record. Uhm, also there was a time, when people said, that the band was manufactured, and obviously that’s ridiculous, you know, we’ve know each other for years and years and we make all this music, you know, we write all this stuff ourselves, so, I just wanted to address those things in a song. "'' | ||
In a May 2020 stream, Mike was asked about the demo lyrics for "[[In The End]]" (at that time called "Untitled") and why they were changed. When Mike explained the reason why, he ended up revealing that the story told in "Get Me Gone" was specifically written about the sessions for "In The End." He said, ''"I don't remember who suggested who suggested we write new lyrics. At that point, we were operating on intuition. We didn't know what we were doing. We just had feelings about like what to try. I think it was probably like, "hey this is going to be an important song on the record. It's probably going to be a single, so we should probably try to beat the verses." And when I did the final version, I knew that like, I felt that they were better. And everybody kind of agreed. It was that interplay between me and Chester. It kind of the simplicity of it. The original version was a lot more abstract and a lot more rappy. It might be out there on the Internet somewhere I guess. I will say that I remember our A&R guy from the label coming in and trying to like, tell me what to do and produce it. And that was one of those moments when we knew the whole recording process might fall apart. And we were in full-on fight then with him and a couple people at the label for our souls, for our identity. Because that was THE song he kept coming in and saying he played it for like, whoever, that rapper, and he didn't like it, so we should change it. And I was like, we like it though and this is us. I respect that rapper but I don't care what he thinks of my stuff. He doesn't talk about the things we talk about. He raps about rappy things. I talk about real life and emotions, of course he doesn't like it. That couple of weeks was when he started going to Chester and was like "You could have the whole band to yourself, you could be the star, and you could ditch these guys." He went to me and told me I could play keyboard - that was that moment. We were getting verses to In the End right. Very tense time."''<ref>[https://lplive.net/forums/topic/14165-mike-qa-summary-582020/ LPLive: Mike Q&A Summary 5/8/20], May 8, 2020</ref> | |||
==Versions== | ==Versions== |
Revision as of 14:00, 2 June 2020
"Get Me Gone" | |||||||
---|---|---|---|---|---|---|---|
![]() | |||||||
Song by Fort Minor from the album The Rising Tied | |||||||
Recorded | 2005 | ||||||
Released | November 22, 2005 | ||||||
Format | Digital, CD, Vinyl | ||||||
Length | 1:56 | ||||||
References | Handsome Modeling Boy School - Holy Calamity (Bear Witness II) (feat. DJ Quest & DJ Shadow) | ||||||
Writer | Mike Shinoda | ||||||
Producer | Mike Shinoda | ||||||
Label | Machine Shop Recordings, Warner Bros. Records | ||||||
|
Background
In late 2006, Clear Channel Music posted the entire The Rising Tied album complete with commentaries from Mike Shinoda before each song.[1] On "Get Me Gone", he said, "‘Get Me Gone’ is a funny song, because a lot of Linkin Park fans can relate to the stories in it. I remember when we were first getting started there was a guy in our label, who, although he really wanted to understand the band, he just kinda… there were certain times that he just didn’t get it and he wanted us to have a gimmick, uhm, he wanted our DJ to wear a cowboy hat and a lab coat, for example, as a gimmick. He didn’t like my rapping, he wanted us to be more straight-ahead rock band, all stuff that you know, just didn’t make sense for us, it’s not who we are, so lucky for us, the things worked out as far as we put out a record after that and it did well, uh, that way now we get to do what we want to do on the record. Uhm, also there was a time, when people said, that the band was manufactured, and obviously that’s ridiculous, you know, we’ve know each other for years and years and we make all this music, you know, we write all this stuff ourselves, so, I just wanted to address those things in a song. "
In a May 2020 stream, Mike was asked about the demo lyrics for "In The End" (at that time called "Untitled") and why they were changed. When Mike explained the reason why, he ended up revealing that the story told in "Get Me Gone" was specifically written about the sessions for "In The End." He said, "I don't remember who suggested who suggested we write new lyrics. At that point, we were operating on intuition. We didn't know what we were doing. We just had feelings about like what to try. I think it was probably like, "hey this is going to be an important song on the record. It's probably going to be a single, so we should probably try to beat the verses." And when I did the final version, I knew that like, I felt that they were better. And everybody kind of agreed. It was that interplay between me and Chester. It kind of the simplicity of it. The original version was a lot more abstract and a lot more rappy. It might be out there on the Internet somewhere I guess. I will say that I remember our A&R guy from the label coming in and trying to like, tell me what to do and produce it. And that was one of those moments when we knew the whole recording process might fall apart. And we were in full-on fight then with him and a couple people at the label for our souls, for our identity. Because that was THE song he kept coming in and saying he played it for like, whoever, that rapper, and he didn't like it, so we should change it. And I was like, we like it though and this is us. I respect that rapper but I don't care what he thinks of my stuff. He doesn't talk about the things we talk about. He raps about rappy things. I talk about real life and emotions, of course he doesn't like it. That couple of weeks was when he started going to Chester and was like "You could have the whole band to yourself, you could be the star, and you could ditch these guys." He went to me and told me I could play keyboard - that was that moment. We were getting verses to In the End right. Very tense time."[2]
Versions
Note: Only the date of the very first release of each version is listed.
Title | Album | Length | Recorded | Released | Notes |
---|---|---|---|---|---|
Get Me Gone | The Rising Tied | 1:56 | 2005 | November 22, 2005 |
|
Get Me Gone | The Rising Tied (Non-PA Version) | 1:56 | 2005 | November 22, 2005 |
|
Get Me Gone | Instrumental Album: The Rising Tied | 1:38 | 2005 |
|
Personnel
Lyrics
Album Version |
---|
"The dude, he said that, like, when we were making the first Linkin Park record |
Non-PA Version |
---|
"The dude, he said that, like, when we were making the first Linkin Park record |
External Links
References
- ↑ Mike Walks Us Through 'The Rising Tied' | LP Association Forums, October 27, 2006
- ↑ LPLive: Mike Q&A Summary 5/8/20, May 8, 2020