September 7, 2012 | |||||||
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Concert by Linkin Park | |||||||
Country: | United States | ||||||
City: | Mountain View, CA | ||||||
Venue: | Shoreline Amphitheatre | ||||||
Venue Type: | Amphitheatre | ||||||
Tour: | Honda Civic Tour 2012 | ||||||
Other bands: | Incubus, MUTEMATH | ||||||
Setlist: | B | ||||||
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Setlist
1. | A Place For My Head | Long Intro; Ext. Outro |
2. | Given Up | Ext. Outro w/ Extra Note |
3. | New Divide | |
4. | With You | 2012 Ext. Intro; Ext Scratch Outro |
5. | Somewhere I Belong | 2012 Intro |
6. | In My Remains | |
7. | Victimized (w/ QWERTY) | |
8. | Points Of Authority | |
9. | Lies Greed Misery | |
10. | Waiting For The End | Apaches Intro w/ Until It Breaks Verse 3; Wall Of Noise Outro |
11. | Breaking The Habit | |
12. | LOATR/SOTD/Iridescent | Ballad Medley |
13. | The Catalyst | |
14. | Lost In The Echo | 2012 Intro w/ Holding Company Synth |
15. | Numb | Numb/Encore Outro |
16. | What I've Done | Album Transition Intro |
17. | Burn It Down | |
18. | In The End | |
19. | Bleed It Out | Ext. Bridge w/ Sabotage & Mike Einzinger; Ext. Outro |
20. | Tinfoil | Shortened |
21. | Faint | Ext. Outro |
22. | Lying From You | Shortened (No First Chorus or Second Verse) |
23. | Papercut | Shortened (No First Chorus or Second Verse) |
24. | One Step Closer | Ext. Outro |
Hybrid Theory | ( 6 )
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Living Things | ( 6 )
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Meteora | ( 5 )
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Minutes To Midnight | ( 3 )
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A Thousand Suns | ( 2 )
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Other | ( 2 )
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Show Notes:
- Mike rapped verse two of Until It Breaks over the intro to Waiting For The End.
- Mike sang part of the lyrics to Numb/Encore over the outro of Numb.
- Bleed It Out featured the Beastie Boys' Sabotage bridge. Incubus's guitarist Mike Einziger came out after the Sabotage portion of the bridge and jammed with the band on the song.
Other Notes:
- On August 16, 2012, five shows on the Honda Civic Tour were removed from the DSP website (Wantagh, Noblesville, Tinley Park, Mountain View, and Carson). While Noblesville was randomly released mid-tour, the other four were never released due to disagreements with the venues on how much money they should get from the sale of each recording.