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<!--''[[Hybrid Party Of A Thousand Things]]'' is an unofficial digital box set consisting of demos from four Linkin Park albums: ''Hybrid Theory'', ''Living Things'', ''A Thousand Suns'' and ''The Hunting Party''. The title is an amalgamation of the titles of those albums.
Community members LPPanther, michalangelo, letdownagain, ArmoredMexican, graveguard, lpliveusername and SasstielExperience worked hard for over two months in order to bring the demos to life. Justin, Hahninator and bruh009 also have contributed to the analysis of the content. Artwork was created by DCrecelius.
PC that was purchased from the Reverb sale?
I would caution against this thinking. Not to be a buzzkill, but just because I believe that someone was responsible for initializing the drives for each instrument (the MPC, the respective hard drives with the concert stems, the Ableton files, etc.), but they clearly didn’t do their job. That’s a win for us. That said, we’re taking files we weren’t expected to have and reconstructing unreleased LP material from it.
Also something to consider: These uploads definitely contain sample packs (or just individual samples) that are copyrighted (not necessarily by the band, but by whoever created them). Be aware of takedowns (even if the band doesn't care about it, which I somehow doubt).
not everything is a full song or even sounds like the same song across sequences.
In June 2019 over 9,400 audio files from Mike Shinoda's library of samples and sounds surfaced online. They dated from ''The Hunting Party'' sessions as far back as to the Xero and Hybrid Theory days and many of them were accompanied by project files. Loose samples include sounds taken from songs by Deftones, The Smashing Pumpkins, Wu-Tang Clan, Rakim, Nine Inch Nails, Mobb Deep, Björk, Paul Weston, Fatboy Slim, Led Zeppelin, A-ha and The Neptunes; as well as known oldies by Linkin Park. such as "Step Up", "Carousel" and possibly "Pictureboard".
they only have a few of the patterns used in very short sequences which leaves a lot of the material unheard.
I’ve done more work on exporting the sequences from the .prj files from the first upload of stuff (the MPC 1000 Backup folder). I’ve messed around and still can’t find something like the Maschine files where it will play the proper song sequence, so these are structured like “FUGITIVE” was yesterday (which is also included in this new archive).
I don't know if you've been able to listen to anything yet but essentially everything is set into two - twelve second sequences. For one demo, Mike might have completed ten different sequences for a song (e.g. intro, verse, chorus . . .). When we were first exploring the leaks, we were only listening to individual drum sounds or samples (e.g. the sound of a bass drum being hit once) but now that people are putting the sequence files into the right software, we can hear all of the sounds together as Mike had it on his MPC while creating demos.
Essentially, people are still finishing turning all of the sounds and samples into sequences. After that, the job would be to put all of the sequences for each folder or song together to make a 10 - 60 second demo. The only problem is, we don't know how long Mike intended each sequence to run for or the order (e.g. 8 bars in a row of sequence one, 2 bars of sequence two, return to sequence one for 4 bars . . .) so they would only be guesses.
==Background==
These aren't all true demos in the traditional sense. They're more like proof of concepts that Mike probably showed the band.
Further development of these ideas wouldn't have been stored on Mike's MPC. Those are probably saved as Pro-Tools sessions on his home studio's hard drives.
These are examples of how the idea of these songs were conceived. It's like we've been given a glimpse into Mike's brain as he recorded ideas, searching for that spark that would inspire him and the band to take it to the next level. I find them fascinating to listen to, personally, because we would have never ever heard this type of stuff otherwise.
I think there's one thing we need to make clear about all this stuff we are digging in (maybe it sound obvious to some people here but not everyone know about this so i think my point is valid)
Some people are asking: "Why there's no demos from X era?" or "Why most of the songs are so short?"
First things first: We are "recreating" projects and exporting sounds from an MPC, which is basically an instrument, where you can create and record stuff.
And is very important to remember that there's a difference between an instrument where you record bits and loops on an internal storage and a PC hard drive where you bring all those pieces from different sources / instruments together.
"Why there's no demos from X era?"
Couple of reasons... they could be recorded in another MPC / Hard drive, or this MPC was not even used at all, since you can use other instruments / programs to create music. Also, you need to consider that an MPC is like a Smartphone, a brand can sell updated versions with more stuff to do (more effects, more filters, more options, more customization) and you buy a brand new MPC the same way you throw your iPhone 5 in the drawer and buy an iPhone 7.
"But why there's stuff from Xero and MTM but nothing from Meteora? (or other album / era example)"
Like I said, they could use other forms to record, other instruments, like a PC program instead of an NPC, or different brand NPC, different storage system, external storage, etc... Also, I bet the Xero stuff are just buried and forgotten, something like "oh crap, do I have a copy of this stuff somewhere else? you know what? I'm not touching it"
"Why most of the songs are so short?"
An MPC is basically a looping station, it means you can create a beat / sound and loop it, so you can play it forever. You don't need to create a 3 minute drum section if you can create a 5 second drum section and loop it to play for 3 minutes (see "STEPDRUM" as a reference)
Also, on an MPC you can create a lot of beats and put them to play together:
With all this being said, all this stuff we are digging in is basically bits of music produced by the band (considering that this is Mike MPC, most of this songs were created by him) and that means that most of them are just ideas / things that he created and were not necessarily used in official material (studio album or LPU stuff), we have scrapped stuff, reused stuff, abandoned stuff and maybe things that would / will be reused someday (like Word's on Fire drums, probably material abandoned by the band that Mike decided to reuse)
So, let's just consider ourselfs lucky to have the opportunity to hear all those songs, because 99.99% of the time, things like that are stored in a vault with a big key (called Warner) or trashed without coming out to the general fan base. We already saw in some making of's that LP produces a lot of musics and they consider most of them as "bad" or "trash", and they don't use 95% of what is produced. We are listening to bits and little pieces of those 95% that happened to leak
Known Linkin Park songs:
Animals
Archbishop
Bruiser
Burning In The Skies
Carousel
Casino / Old Casino
Chair
Coal
Esaul
Fugitive
I'll Be Gone
Iridescent
Kerosena
LeftRight
Lorax
Megatron / New Divide
Oh No
Part Of Me
Pacmanny / Blackout
Pictureboard
Pods
Rygar
She Couldn't
Slip
Step Up
Stonewood / Stone
Stick N Move
Technique
The Catalyst
Victimized
Waiting For The End
Wretches And Kings
Possibly new Linkin Park songs:
Arest
Atari
Aubrey707
Cracker
GBSong
GMajor
Insect
Keyz
Labrat
Rick 808
Ronwinter
Shoeboxer
Sqratch
What You Have
Other bands:
A-ha - Take On Me
Deftones - My Own Summer (Shove It)
Led Zeppelin - Misty Mountain Hop
The Neptunes - Clipse's Grindin'
The Smashing Pumpkins - 17
ARCHBSHOP = proccesed guitar samples like the ones in Wretches And Kings
ATARI = samples from an atari console?
AUBREY707 = hard hitting fx
GBSound 1 2 3 = Gameboy samples
IRIDESCENT = Samples from iridescent
MEGATRON = Samples from the new divide demo?
Xero Current = samples posibly from the xero hybrid theory era
All of this gave us an insight into Linkin Park's writing process. We can see some demos have been revisited while they were creating the next album and how some of the sounds created for a song have been repurposed for others and how Mike is constantly working on new music while on tour, as evidenced by titles such as 'JoBurg' and 'Auckland2013.' Samples created back when the band was first starting are still used to this day either for new songs or during live shows.

In the light of this discovery, the LPLive comminuty has come together in a collaborative effort to figure out how to open the project files and recreate the songs contained in them. The result is this digital boxset we've called "Hybrid Party Of A Thousand Things" featuring demos created for Hybrid Theory, A Thousand Suns, Living Things and The Hunting Party amounting to a total of 228 tracks. We have early versions of previously released songs like 'Castle Of Glass,' 'Darker Than Blood,' 'New Divide,' 'Bruiser,' 'Animals,' 'Guilty All The Same,' 'Lies Greed Misery,' 'All For Nothing,' 'Blackout,' 'It Goes Through,' 'High Voltage,' 'She Couldn't,' 'Technique,' 'By Myself,' 'Space Station,' 'Points Of Authority,' 'Hemispheres,' 'Holding Company,' and the remixes of 'Castle Of Glass' and 'Victimized' from Recharged along with previously known working titles that had never seen the light of day and many completely new titles. There's even an unreleased song created for the LP Recharge game and a couple of demos that seem to have evolved into 'World's On Fire' on Mike Shinoda's Post Traumatic album!
While we aren't going into details on how those files were obtained, we can assure you this is a completely different case from the recent leaks of multitracks, instrumentals and demos ('Good Goodbye,' 'What Are You Worth') where some inescrupulous people were illegally selling material that didn't belong to them. All the files in here were obtained legally and straight from the band themselves. That's our guarantee that everything in here is 100% legit!
Before we get to the download links, we'd like to inform you that none of the demos seen here are complete songs and (besides some voice samples) none of them have vocals. They are simply seeds, early ideas for what the songs would eventually become. Hence why most of them are so short. Also, some of the project files didn't contain a song view, only sequences (patterns), so what you'll get for some of them are simply the sequences being played one after another. This is the case for 'Al_Intro,' 'Invader,' 'Ugh,' 'Hemispheres,' 'Jungle Gym,' 'Return,' 'Mirrors,' 'Slammie,' 'Humanoid,' 'Midnighs,' and many of the A Thousand Suns demos. 'LA' and 'Atari' were left as various tracks because they were special cases where each one of their sequences had a different tempo.
Due to requests, we've decided to include a bonus disc containing the demos released as part of the Linkin Park bundles for Stagelight. Thanks to those samples, we are able to get an additional taste of unreleased demos included in the other 4 discs such as 'Apes,' 'Spirals,' 'Lorax' and 'Casino' as well as full-length versions of 'Bruiser' and 'Space Station.' Unfortunately, we only have the samples available in mp3 format. The lossless version comes with the full songs (first 6 tracks) only. Enjoy!
==Disc 1: Hybrid Theory Demos==
[[File:Hybrid Theory Demos cover.png|thumbnail|]]
The ''[[Hybrid Theory]]'' demos are mainly from the ''MPC 1000 Backup/MIKE MPC'' folder that surfaced on June 18, 2019 which consists of projects created with .snd files. It is an old file type that needs to be converted to wav in order to be open by regular media player softwares. These are some of Mike's earlier beats and it looks like he might have done some conversion at some point, which is why there are .wav duplicates of some of those samples in the ''Xero Current'' folder. There's also a lot of samples used across multiple tracks, arguably from a similar time period, pre-Hybrid Theory. They probably date from around 1997-1999 - given the presence of samples from "[[Coal]]", a demo from 1997, and the presence of Chester's vocal samples. The fact that there is no digital master of the ''[[Xero]]'' tape, indicates these demos are probably post-cassette demo.
The discovery of those demos revealed working titles that had never been seen before for some songs. "Emo" is a fleshed out demo of "[[She Couldn't]]" that runs about 5:24 minutes, which is quite long for an Linkin Park song, created after Chester joined the band as evidenced by the appearance of the "Chazaaah" sample. "Siamo" is the Hybrid Theory EP version of "[[High Voltage]]", "Rendezvo" is the original long version of "[[Technique]]" and "SKY2" is very similar to the beat on "[[Crawling]]".
Running a trial of Akai's MPC Desktop software, fans were able to read the project files and see what samples are in the same set. The software is able to understand the .snd files and play them back at the right speed, e.g. Mike MPC 2.snd sounds like a drum break from "Cure For The Itch" in the software, but plays back at the wrong speed in Audacity. Additionally, the samples are edited to a certain length, but can be reset to be longer by altering the start/end times. Typically there's an .APS file and an .ALL file that go together with the same name. By loading the .APS files, it's possible to view the song mode and export what is in the song view. The .ALL files can then be used to load the MIDI data/sequencing and to see the BPM for a track - for example, "Oh No" displays 95 BPM. The sequences will load with no sound, so in the track view each sequence needs to be associated with a program in order to be played. There may be instances where there is no song view or there are unused sequences (patterns); and some songs need to have samples manually relinked.
"Tuff" doesn't have an .ALL file, so fans were able to load the samples but not sequences or songs and there's no point in exporting the individual samples as they are already in the folder. Other projects that contained only a collection of samples (even though those have an .ALL file) are "Beatbits" and "Drumz". For "Return", "Midnighs", "Swish", "Al_Intro", "LA" and "Ugh" there are no songs, only sequences. Since "LA" has 4 different BPMs, it was left as 4 different files. Some projects contained more than one version of a song. There are alternate versions of "Sad" and "Siamo" and two different projects for different versions of "Stick N Move" and "Hurry". A third version of "Hurry" seemed to exist, however only the .ALL file is available.
It is unclear what's the use of the binary files in the root of the ''MPC 1000 Backup'' folder, but it's unlikely that the samples inside the ''Xero Current'' folder were designed to be sequenced and exported together as there are no project files inside it. The folder contains loose samples of "[[Esaul]]" (''ESAULGUI'' and ''ESAUL_1''), "[[Part Of Me]]" (''noo_alar'' and ''partalar''), "Oh No" (''OHCYM1C'', ''OHCYM2'', ''OHCYM3'', ''OHKICK1'', ''OHKICK2'', ''OHKICK3'', ''OHMANSON'', ''OHSN1'', ''OHSNAR1'' and ''OHSNAR2''), "[[Pictureboard]]" (''PIC_2'' and ''PIC_3''), "17" by Smashing Pumpkins (''pmp_piano''), "[[Pods]]" (''POD_CYM1''), "[[Slip]] (''Slip_1'' and ''Slip_2'') and "Step Up" (''STEPDRUM'', ''STEPRE1'', ''STEPRE2'', ''STEPUPDR'' and ''stepupia'') - among others. Because "Pictureboard" was performed live, the strings sample is also present on ''[[Mista Hahn's Tasty Gas Station Breaks From The Orient]]'', Joe Hahn's live vinyl. Other Xero and Hybrid Theory samples are found in the ''NewFinishesA'' and ''Mike's Beats #1'' folders. ''NewFinishesA'' contains samples of "Part Of Me" (''partolar'' and ''partobuz''), "My Own Summer (Shove It)" by Deftones (''DEFKICK0'') and "[[Carousel]]" (''INDIANCH'') while ''Mike's Beats #1'' contains samples of "Technique" (''ANDSTRIN''), rough versions of the Carousel guitar parts (''BRADFMJ'', ''BRADFMJ2'' and ''BRADFMJ3''), "[[Coal]]" (''CO_'' files) and possibly "Pods" (''CO_Spimp'' and ''CO_Vast2''). ''STICKEYS'' on the ''Beat Bits 3'' folder is from "Stick N Move" and ''REV_INDI'' is from "She Couldn't". Some of the samples are sped up. When slowed down, ''Stepupia'' is the harp on "Step Up" and ''Indianch'' is Chester's chant from "Carousel". ''Steppre1'' and ''stepre2'' are Mike's pitch-shifted vocals from "Step Up". ''JEFFPORN'' (a voice message from Jeff Blue) from the ''Xero Current'' folder is included in the tracklist as a bonus.
One thing that's interesting about this overall collection is the presence samples of other artists. There's a sound labeled ''staind'', a lot of Björk samples, some EPMD sounds, a file named ''FATBOY'' (Fatboy Slim), others with the NIN prefix (''NIN_PDRG'' is likely from "The Perfect Drug"), Deftones sounds (''DEFKICK0'' is "My Own Summer (Shove It)"), The Smashing Pumpkins, Rakim, Wu-Tang Clan, Mobb Deep, Paul Weston, ''LIONELCYM'' is likely from Lionel Richie, ''101strng'' and ''101strg2'' originate from "Madama Butterfly, Act II: Un bel di vedremo", etc. Mike had a tendency to use a lot of the same samples in his creations and would sample other artists as placeholder parts before replacing them with his own. It is known that the band had issues with "She Couldn't" and ''Hybrid Theory'' has no sample credits, so it's possible the song might have set the template for scraping samples that weren't created by the band.
===Tracklist===
{|class="wikitable"
|-
! No.
! Title
! Length
|-
| 1
| AL_Intro
| 0:07
|-
| 2
| Beatbits
| 2:35
|-
| 3
| Drum
| 3:23
|-
| 4
| [[Emo]]
| 5:14
|-
| 5
| [[Goop]]
| 2:45
|-
| 6
| [[Hurry]]
| 4:15
|-
| 7
| [[Hurry]]
| 3:05
|-
| 8
| [[Jeff Porn]]
| 0:24
|-
| 9
| Krak
| 1:00
|-
| 10
| LA 001 Sequence15
| 0:08
|-
| 11
| LA 002 Sequence15
| 0:06
|-
| 12
| LA 004 Sequence04
| 0:08
|-
| 13
| LA 005 Sequence05
| 0:07
|-
| 14
| [[Mic]]
| 4:25
|-
| 15
| Midnighs
| 0:05
|-
| 16
| [[Oh No]]
| 3:38
|-
| 17
| [[Qua]]
| 3:21
|-
| 18
| [[Rendezvo]]
| 2:24
|-
| 19
| Return
| 0:15
|-
| 20
| [[Sad|Sad Song1]]
| 3:07
|-
| 21
| [[Sad|Sad Song2]]
| 2:11
|-
| 22
| [[Siamo]]
| 3:35
|-
| 23
| [[Siamo2]]
| 3:55
|-
| 24
| [[Sky|Sky2]]
| 3:31
|-
| 25
| [[Stick N Move|Stick&Mo]]
| 3:39
|-
| 26
| [[Stick N Move|Stick2]]
| 2:54
|-
| 27
| Swish
| 0:06
|-
| 28
| Ugh
| 0:05
|-
|}
==Disc 2: A Thousand Suns Demos==
[[File:A Thousand Suns Demos cover.jpg|thumbnail|]]
The ''[[A Thousand Suns]]'' demos originated from ''MPC 1000 Backup'' root and ''MPC 1000 Backup/MPC1000 FILES'' folder and likely date from very early in the album process, around 2008-2009. Because the album started as a video game project that quickly deteriorated, many of those demos sound like video game music. They have .PRJ/.PGM files which load the samples into the program, then the .ALL files loads the sequences for those samples. Like in the ''Hybrid Theory'' projects, there may be instances where there is no song view or there are unused sequences. This is true for most of this collection as "80 90s Drums", "Album4Snds" (4 versions), "Atari" (4 versions), "Aubrey707", "GMajor01" (''GMAJOR'' folder), "GMajor1" (''GMAJOR'' folder), "Iri", "[[Iridescent]]" (4 versions), "Lorax" (4 versions), "[[PacmannyNew]]" (4 versions) and "Rick 808" were the only projects with song view besides "80 90 #2", "Archbshop", "Snds1" and "Ree Keys1", which have song view but no sounds in the timeline. "80 90 #2", "Archbshop", "Autoload" (likely just the MPC's default starting state), "GBSounds1", "GBSounds2", "GBSounds3", "KeroDrums", "NRG iPhone", "Snds1", "Ree Keys1" and "Rygar" didn't have sequences to export, they are essentially just sample banks.
"80 90 #2" is likely an attempt to create a song using a collection of samples from the 80s and 90s. "Take On Me" by a-ha (''Sample05'', ''Sample06'', ''Sample07'', ''Sample08'' and ''Sample09'') is among them.
"Album4Snds" is a mashup of ''A Thousand Suns'' samples from "[[Wretches And Kings]]" (''Sample02'', ''Sample03'' and ''Sample04''), "[[Waiting For The End]]" (''Sample16'', ''Sample17'', ''Sample18'', ''Sample19'', ''Sample39PP'', ''Sample39PP2'', ''Sample39PP3'', ''Sample39PP4'' and ''Sample39PP5''), "[[Burning In The Skies]]" (''Sample20'', ''Sample21'', ''Sample22'', ''Sample29'', ''Sample30'', ''Sample31'', ''Sample32'', ''Sample33'' and ''Sample34''), "[[The Catalyst]]" (''Sample06'' and ''Sample38''), "[[Blackout]]" (''Sample09'', ''Sample10'', ''Sample11'' and ''Sample12'') and various drum sounds, almost certainly used on the album as well.
All of the files inside the "Aubrey707" folder are named "Crazy707", which was probably an older title for the demo.
"Lorax" is the most extensive project of the bunch with 15 sequences. The eight "Archbshop" samples from it were later used on "[[Animals]]" during the ''[[Living Things]]'' sessions. The demo also shares samples with "Keyz", "Rygar" and the previously mentioned "Sqratch" along with another absent demo called "Shaker" from ''LOOSESAMPLES''.
Demos of known Linkin Park songs are also present. "Megatron" is a demo version of "[[New Divide]]" created with various sounds from the ''GBsounds1'', ''GBsounds3'', ''LOOSESAMPLES'' and ''NewFinishesA'' folders. "Packmanny" and "PackmannyNew" are both demos of "[[Blackout]]". The fist being a very early version. The ''Sample33'' used on "PackmannyNew" is taken from "Misty Mountain Hop" by Led Zeppelin. The band has said "Iridescent" got its title from a separate song that never went anywhere but they liked the title so decided to use it in a different song. The "Iridescent" sounds very little like the ''A Thousand Suns'' version and is faster, at 140 BPM. The samples are likely from the original "Iridescent" they scrapped. The track consists of various samples from "Atari", "GBsounds1", "Keyz", "Rygar" and "Rick 808" as well as "Cracker", "Labrat" and "Sqratch" from the ''LOOSESAMPLES2'' folder. "Iri", possibly short for "Iridescent", has the same BPM as the album song, but the demo is mostly drum sounds that fans don't recognize. ''Sample68'' on "Snds1" is a sample later used on "[[I'll Be Gone]]" from ''Living Things''. It is known that the demo for song was originated during the ''A Thousand Suns'' sessions. Chester is shown recording vocals for "LeftRight" on the ''Meeting Of A Thousand Suns'' DVD.
"Rick 808" is the hi-hats from "Wretches And Kings" and the BPM matches with the song (Rick likely being Rick Rubin). "Rygar" is likely from when the band tracked the various guitar samples for the song. ''RYGAR4'', ''RYGAR5'', ''RYGAR30'' and ''RYGAR32'' were used on it, ''RYGAR21'' on "[[Victimized]]" and ''RYGAR37'' on "[[Bruiser]]".
The files inside the ''BANGS'' folder must be open on Pro Tools. It contains the explosion sounds Mike used live. For folders with .NKI files there are no song files. The .NKI files are patches for Kontakt, a virtual instrument that loads samples and maps them to keys on a keyboard/controller. There were also various folders of sample packs not by Linkin Park. A notable one is the ''NEPTUNES SAMPLES'' folder with samples from the production duo The Neptunes, including sounds from "Grindin'" by Clipse. Mike likely got samples from Chad Hugo when they worked together on "[[Never Let Me Down]]".
===Tracklist===
{|class="wikitable"
|-
! No.
! Title
! Length
|-
| 1
| 80 90s Drums
| 0:13
|-
| 2
| 80 90s Drums2
| 0:13
|-
| 3
| Album4SNDS
| 1:25
|-
| 4
| Atari Sequence01
| 1:01
|-
| 5
| Atari Nuskool_Beat
| 0:42
|-
| 6
| Atari Ill_Hip_Hop
| 1:01
|-
| 7
| Atari Techno
| 3:28
|-
| 8
| Atari Standard
| 1:49
|-
| 9
| Atari Rock_Taste 1
| 0:25
|-
| 10
| Atari Rock_Taste 2
| 0:35
|-
| 11
| Atari Rock_Taste 3
| 0:29
|-
| 12
| Atari Rock_Taste 4
| 0:19
|-
| 13
| Atari Sequence10
| 0:46
|-
| 14
| Atari RabittShT2
| 0:22
|-
| 15
| Atari Sequence12
| 0:26
|-
| 16
| Aubrey707
| 0:10
|-
| 17
| Casino
| 0:20
|-
| 18
| Fugitive
| 0:37
|-
| 19
| GBSong1
| 0:45
|-
| 20
| GMajor
| 0:38
|-
| 21
| Insect
| 0:50
|-
| 22
| [[Iridescent|Iri]]
| 0:09
|-
| 23
| [[Iridescent]]
| 0:28
|-
| 24
| Keyz
| 0:13
|-
| 25
| [[LeftRight]]
| 1:32
|-
| 26
| Leopard
| 0:34
|-
| 27
| Lorax
| 0:25
|-
| 28
| [[Megatron]]
| 1:16
|-
| 29
| MJ
| 0:55
|-
| 30
| Pablo
| 0:17
|-
| 31
| [[Packmanny]]
| 0:15
|-
| 32
| [[Blackout|PacmannyNew]]
| 0:47
|-
| 33
| Rick 808
| 0:06
|-
| 34
| Ronwinter
| 0:05
|-
| 35
| Shoeboxer
| 0:17
|-
| 36
| Stonewood
| 0:33
|-
| 37
| Superflat
| 0:17
|-
| 38
| What You Have
| 0:20
|-
|}
==Disc 3: Living Things Demos==
[[File:Living Things Demos cover.png|thumbnail|]]
June 21, 2019
The first Maschine came out in April 2009.
Missing Plugins
Native Instruments FM8, Native Instruments Massive, Native Instruments Absynth Stereo, Sugar Bytes WOW
Most of the Maschine files have the patterns put into a sequencer so I was able to export them as "full" songs. Some of these are long and others are literally just short drum patterns strung together. Any songs that didn't have the patterns sequenced, I exported the individual patterns (Hemispheres is the only one so far).
One thing is also confirmed now that we have wanted to know for a long time. Luna (It Goes Through) is from LT sessions not ATS sessions. Finally!!!!!
EDIT: I think Luna might actually be from 2013 (THP Sessions before it went metal). Water Taxi and all the early Recharged shit, etc. is with it. Wow. Luna is what the follow up to LT would have been if they didn't ditch it for a metal sound. Now that I think about it, the end of AFN sounds kind of like Luna. Never would have expected that.
Some of the stuff from Space Station/Burberry is all over the other folders. In the Victimized remix, etc. Stuff is everywhere. Those project files are a gold mine if someone sorts through those and extracts them. Mike's unreleased Castle remix, some Ryu stuff, lots and lots of demos.
Digi Folk - The ending was rearranged to fit on "Holding Company", that was used live as a intro for "Lost In The Echo"
PileDriver - The ending was reused in Lies Greed Misery
Not just the ending. The short drum sequence sounds like the one right before the chorus.
Horizons is the working title for Darker Than Blood. They started it around the time they were working on A Light That Never Comes, so this is likely an early seed for that.
"[[Bitty Loop]]" 2011 while filming a promotional video for EHX effect pedals.
"Gadd9 Drums" and "Gyoza" are early "World's On Fire" demos.
"Rygar" samples are used in a project called "Recharged".
"Confetti" resembles "[[Victimized]]" and seems to be an earlier idea for what became that song.
Invader has multiple sounds added to the project itself, but has none of them on the actual timeline thus no sound patterns.
===Tracklist===
{|class="wikitable"
|-
! No.
! Title
! Length
|-
| 1
| 8 Bit 80s Rock
| 0:02
|-
| 2
| 808er
| 0:55
|-
| 3
| Aerial
| 1:46
|-
| 4
| Airborne
| 1:01
|-
| 5
| Amethyst
| 0:57
|-
| 6
| Andes
| 0:20
|-
| 7
| [[Animals|Animals Beat]]
| 0:37
|-
| 8
| Attendant
| 0:29
|-
| 9
| Attendant 2
| 2:29
|-
| 10
| Auckland2013
| 0:51
|-
| 11
| [[Bitty Loop]]
| 0:07
|-
| 12
| Bottles
| 0:49
|-
| 13
| Bowser Meat
| 0:33
|-
| 14
| [[Bruiser]]
| 0:39
|-
| 15
| [[Burberry]]
| 0:40
|-
| 16
| [[Space Station|Burberry-Space Station]]
| 1:05
|-
| 17
| [[Burberry|Burberry 3]]
| 1:05
|-
| 18
| [[Castle Of Glass|Castle Of Glass Hook Ideas]]
| 0:24
|-
| 19
| [[Castle Of Glass|Castle Of Glass Remix]]
| 1:14
|-
| 20
| [[Castle Of Glass|Castle Of Glass Remix2]]
| 1:26
|-
| 21
| Chocolate
| 1:37
|-
| 22
| Chorizo
| 0:07
|-
| 23
| Confetti
| 0:28
|-
| 24
| Cookie Monster
| 0:28
|-
| 25
| Cool EFX
| 0:10
|-
| 26
| Croissant
| 0:54
|-
| 27
| Dance Rock
| 0:20
|-
| 28
| Denver
| 1:05
|-
| 29
| Digi Folk
| 0:57
|-
| 30
| Doodie
| 0:06
|-
| 31
| Dubby
| 0:31
|-
| 32
| Fois Gras
| 1:01
|-
| 33
| Fois Gras 2
| 0:53
|-
| 34
| [[World's On Fire|Gadd9 Drums]]
| 1:19
|-
| 35
| Gamma Ray
| 0:23
|-
| 36
| Glitchy
| 0:13
|-
| 37
| Gnarly Tribal
| 0:19
|-
| 38
| [[World's On Fire|Gyoza]]
| 1:05
|-
| 39
| Hamburger Hill
| 0:33
|-
| 40
| Headbutt
| 1:50
|-
| 41
| [[Hemispheres]]
| 0:31
|-
| 42
| [[Holding Company|Holding Co]]
| 0:09
|-
| 43
| [[Horizons]]
| 1:11
|-
| 44
| Humanoid 
| 0:27
|-
| 45
| Invader
| 0:45
|-
| 46
| Jackboot
| 0:12
|-
| 47
| Jackboot Stone Cyn
| 0:34
|-
| 48
| JoBurg
| 0:27
|-
| 49
| Jungle Gym
| 0:16
|-
| 50
| Killing Fields
| 1:11
|-
| 51
| Lil Swing
| 0:04
|-
| 52
| Lille
| 0:25
|-
| 53
| [[Luna]]
| 2:16
|-
| 54
| [[Luna|Luna2]]
| 1:24
|-
| 55
| [[Luna|Luna FOR PRINT]]
| 3:31
|-
| 56
| Maschine MS Test 1
| 0:33
|-
| 57
| Maschine MS Test 2
| 0:43
|-
| 58
| Mirrors
| 0:16
|-
| 59
| Panko
| 0:05
|-
| 60
| PaperWeight
| 0:36
|-
| 61
| [[Piledriver]]
| 0:08
|-
| 62
| PizzaBeatz
| 0:32
|-
| 63
| Pizzaria
| 0:27
|-
| 64
| [[LP Recharge|Recharge Theme 1]]
| 0:44
|-
| 65
| [[LP Recharge|Recharged]]
| 1:18
|-
| 66
| Regalia
| 0:46
|-
| 67
| Ride Or Die
| 0:15
|-
| 68
| Robotech
| 0:09
|-
| 69
| Rollers
| 0:18
|-
| 70
| Ryu 1 Turtles3
| 1:46
|-
| 71
| Ryu 2
| 0:13
|-
| 72
| Ryu 3
| 1:08
|-
| 73
| Sendai
| 0:28
|-
| 74
| Shinkansen
| 0:39
|-
| 75
| Slammie
| 0:33
|-
| 76
| Slippy
| 0:13
|-
| 77
| Spirals
| 0:18
|-
| 78
| Swingy One
| 0:42
|-
| 79
| Thumper
| 0:31
|-
| 80
| Tick Tock
| 1:14
|-
| 81
| Tourniquet
| 1:01
|-
| 82
| Turtles
| 0:15
|-
| 83
| Turtles2
| 0:55
|-
| 84
| Turtles3
| 1:01
|-
| 85
| [[Victimized|Victimized Remix]]
| 0:34
|-
| 86
| Victory March
| 2:56
|-
| 87
| Vinyl Kit
| 0:08
|-
| 88
| Water Taxi
| 0:29
|-
|}
==Disc 4: The Hunting Party Demos==
[[File:The Hunting Party Demos cover.png|thumbnail|]]
The demos from The Hunting Party were all created at Larrabee Sound Studios in North Hollywood, California. Inside the ''larrabee'' folder that surfaced on June 22, 2019 were found three Maschine projects named "Morelllo 1", "Morelllo 2" and "Morello Chop"; and everything else is an Ableton Live project. Some Ableton projects however are missing all of their samples which made them useless. Most of them are just a setup of some virtual instruments or samples, but no actual MIDI information or any other audio. "[[Plato|PlatoDrum]]", "[[The Glistening]]" and "[[The Summoning]]" are missing the sounds and all three of the "LiveToys Project" sessions (inside the ''Morello Jams'' folder) are empty even though there are many sounds inside the project folder.
Despite not having files inside its project, raw MIDI files for "The Summoning" were found in a different folder and included in the compilation. MIDI is a Musical Instrument Digital Interface file. Unlike regular audio files, MIDI files don't contain actual audio data. They are basically instructional files that explain how the sound should be produced once attached to a playback device or loaded into a particular software program that knows how to interpret the data. It explains what notes are played, when they're played and how long or loud each note should be. Because of this, they lack the actual sounds used in the song and the notes are played by a standard virtual piano.
Unlike Maschine projects, the Ableton Live projects had some full songs made up of many layers and the ones with samples intact have been bounced (exported as wav files). Those are "Apes", "Control" and "Mike Larabee Project" ("Spotify" / "Lifejacket"). For some of the songs Mike made some electronic soundscapes over them after the band recorded guitars and other live instruments.
"Apes" was one of the demos that had samples released on Stagelight's ''Linkin Park Bundle 2''. Inside the project file there is an imported guitar track, but the actual project consists solely of synths being played after several minutes of silence (approximately after the duration of the guitar track). None of the beats found on Stagelight were present. To differentiate the guitar and the synth tracks, the name of the guitar file was left as "Apes Bounce" and the synth was changed to "Apes".
The file ''Mike Larabee Project\Samples\Imported\Spotify MS Bounce.wav'' is an entire rock version demo that served as the basis in the creation of ''Mike Larabee Project\Mike Larabee Spotify Bounces\Spotify Bounces.wav''. The individual tracks for the project are titled "Spotify", indicating this was its working title, but the bounced instrumental was titled "Lifejacket".
While "Morello Chop" had the samples (from the ''Morello Sounds/Tom Noises'' folder) intact, "Morelllo 1" and "Morelllo 2" had to be reassembled as they make use of samples from Maschine's standard library found on the One ''Shot/Buzz'', ''Samples/Drums/Clap'' and some other folders as well as expansion packs for the program like Native Instruments' Battery 4 and Abbey Road 70s Drummer. "Morelllo 2" makes use of the ''Beat Bits 1'' and ''SNDS1'' folders from Mike's ''MPC 1000 Backup'' folder as well.
The drum tracks of "Blinky" and "True Chainz" aren't from the Larrabee folder, they were actually taken from the LP LIVE EXPERIENCE DRAFT ONE 14.02.14 Project, which was an early setlist idea for ''The Hunting Party'' tour. "True Chainz" is from an early version of "All For Nothing", presenting slight differences from the final version. "Blinky" ("Guilty All The Same") is exactly the same as the final product.
The "Wastelands" intro sample is another bonus taken from Mike's Access Virus TI Polar synthesizer.
===Tracklist===
{|class="wikitable"
|-
! No.
! Title
! Length
|-
| 1
| [[Apes]]
| 6:22
|-
| 2
| [[Apes|Apes Bounce]]
| 5:20
|-
| 3
| [[Blinky|Blinky 5.3 Drums Only]]
| 5:33
|-
| 4
| [[Control]]
| 1:36
|-
| 5
| [[Lifejacket]]
| 3:25
|-
| 6
| Morelllo 1
| 0:05
|-
| 7
| Morelllo 2
| 0:27
|-
| 8
| Morello Chop
|
|-
| 9
| [[Spotify]]
| 4:13
|-
| 10
| [[The Summoning|Summoning midi 1]]
| 3:56
|-
| 11
| [[The Summoning|Summoning midi 2]]
| 4:05
|-
| 12
| [[The Summoning|Summoning midi 3]]
| 6:02
|-
| 13
| [[The Summoning|Summoning midi 4]]
| 6:11
|-
| 14
| [[The Summoning|Summoning midi 5.1]]
| 0:37
|-
| 15
| [[The Summoning|Summoning midi 5.2]]
| 0:41
|-
| 16
| [[The Summoning|Summoning midi 5.3]]
| 4:38
|-
| 17
| [[The Summoning|Summoning midi 6]]
| 6:14
|-
| 18
| [[The Summoning|Summoning midi 7]]
| 1:00
|-
| 19
| [[True Chainz|True Chainz Drums Only]]
| 3:15
|-
| 20
| [[Wastelands|Wastelands Virus Sample]]
| 0:11
|-
|}
==Disc 5: Stagelight Demos==
{|class="wikitable"
|-
! No.
! Title
! Length
|-
| 1
| [[Bruiser]]
| 2:31
|-
| 2
| [[Loop Jam 1]]
| 2:24
|-
| 3
| [[Loop Jam 2]]
| 1:47
|-
| 4
| [[Space Station]]
| 2:58
|-
| 5
| [[Complimentary]]
| 3:09
|-
| 6
| [[Asteroids]]
| 2:51
|-
| 7
| Axis Arp
| 0:08
|-
| 8
| Axis Pulse
| 0:12
|-
| 9
| Blacklight
| 0:13
|-
| 10
| Casino
| 0:08
|-
| 11
| Clock
| 0:09
|-
| 12
| DBY
| 0:14
|-
| 13
| Florida
| 0:24
|-
| 14
| [[Grudge]]
| 0:04
|-
| 15
| Kingdom
| 0:14
|-
| 16
| [[Milk]]
| 0:08
|-
| 17
| [[Monday]]
| 0:08
|-
| 18
| Naut
| 0:10
|-
| 19
| Numbers
| 0:05
|-
| 20
| Plastic
| 0:08
|-
| 21
| River
| 0:09
|-
| 22
| Rooster
| 0:10
|-
| 23
| Sakura
| 0:13
|-
| 24
| Sandmine
| 0:07
|-
| 25
| Sono
| 0:41
|-
| 26
| Stone
| 0:07
|-
| 27
| Trinity
| 0:08
|-
| 28
| West Reverse
| 0:10
|-
| 29
| [[Chicken Basket|Basket]]
| 0:14
|-
| 30
| Compton
| 0:10
|-
| 31
| Cup Bendy
| 0:08
|-
| 32
| Greysky
| 0:12
|-
| 33
| Heretic
| 0:19
|-
| 34
| Hyper
| 0:12
|-
| 35
| Kerosena
| 0:08
|-
| 36
| [[Luna]]
| 0:07
|-
| 37
| Papershark
| 0:11
|-
| 38
| [[Quense]]
| 0:10
|-
| 39
| Seahorse
| 0:07
|-
| 40
| Shortcut
| 0:13
|-
| 41
| West
| 0:10
|-
| 42
| [[Animals]]
| 0:32
|-
| 43
| [[Ape]]
| 0:11
|-
| 44
| Aub
| 0:30
|-
| 45
| [[Blue]]
| 0:07
|-
| 46
| Brazil
| 0:27
|-
| 47
| Canyon
| 0:08
|-
| 48
| [[Coffee]]
| 0:05
|-
| 49
| Empire
| 0:08
|-
| 50
| [[Final Masquerade|FMA]]
| 0:05
|-
| 51
| [[The Glistening|Glisten]]
| 0:05
|-
| 52
| [[Guilty All The Same|GATS]]
| 0:24
|-
| 53
| [[Human]]
| 0:07
|-
| 54
| Lorax
| 0:29
|-
| 55
| [[Mark The Graves|Grave]]
| 0:14
|-
| 56
| [[All For Nothing|Nothing]]
| 0:06
|-
| 57
| [[Oddysey|Ody]]
| 0:19
|-
| 58
| Plague
| 0:06
|-
| 59
| Quazar
| 0:22
|-
| 60
| Quick
| 0:32
|-
| 61
| [[Rebellion|Reb]]
| 0:03
|-
| 62
| Spiral
| 0:09
|-
| 63
| Spot
| 0:06
|-
| 64
| [[The Summoning|Summ]]
| 0:03
|-
| 65
| Sushi
| 0:35
|-
| 66
| Threat
| 0:12
|-
| 67
| [[Until It's Gone|UIG]]
| 0:06
|-
| 68
| Young
| 0:08
|-
|}
-->
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Revision as of 23:29, 5 August 2019

Recent Articles

<recent />

Welcome to Linkinpedia!

Started in June 2015 alongside Fort Minor's comeback and released on September 19, 2016, this is a project by LPLive (Linkin Park Live) to create the most accurate wiki on the Internet for Linkin Park and their side projects. Instead of integrating a wiki inside our own website, we made the decision to launch a wiki as a brand new, standalone project.

The wiki contains over 500 pages of content and information ranging from the background information of songs to their live histories. We're launching Linkinpedia as a "work in progress" - there are missing pages AND there is missing info in the current pages. With hundreds of articles written, it will take some time to properly complete the wiki.

Due to fans and anyone being able to freely edit Wikipedia and other Linkin Park wikis, misinformation has spread throughout the community along with an incredible amount of inaccuracies about the band. Since Linkinpedia will be locked to the public and written, reviewed, and posted by members of LPLive's staff, we hope to correct any common mistakes out there about Linkin Park as well as to inform you as accurately as possible all about the band, their releases, their live shows and tours, and much more.

Feel free to browse Linkinpedia via the column on the left of the page. Fans and site members are welcome to submit corrections, mistakes, and more information to Linkinpedia via a link on the left.

Thanks for checking in! Like us on Facebook Follow us on Twitter

Studio Albums

Hybrid Theory Meteora Minutes To Midnight A Thousand Suns Living Things The Hunting Party One More Light

Singles

One Step Closer Crawling Papercut In The End Pts.Of.Athrty H! Vltg3 Somewhere I Belong Faint Numb From The Inside

Breaking The Habit Numb/Encore Dirt Off Your Shoulder/Lying From You What I've Done Bleed It Out Shadow Of The Day Given Up Leave Out All The Rest We Made It New Divide

Not Alone The Catalyst Waiting For The End Burning In The Skies Iridescent Rolling In The Deep (Adele Cover) Burn It Down Lost In The Echo Powerless Castle Of Glass

A Light That Never Comes Guilty All The Same Until It's Gone Wastelands Rebellion Final Masquerade Darker Than Blood Heavy Good Goodbye Talking To Myself

One More Light


LP Underground

Hybrid Theory EP LP Underground 2.0 LP Underground 3.0 LP Underground 4.0 LP Underground 5.0 LP Underground 6 LP Underground 7 Sweet Hamster Like Jewels From America! LP Underground 9: Demos LP Underground X: Demos

LP Underground Eleven LP Underground 12 LP Underground XIII LP Underground XIV LP Underground 15 LP Underground Sixteen

Side Projects

Other Releases

Xero (Demo Cassette Tape) Closing Drop Fiends It's Goin' Down Issho Ni Mall (Music From The Motion Picture) Things In My Jeep

She Couldn't | Pictureboard | Unreleased | Little Boxes | Lockjaw | Complimentary | Bruiser | Space Station | Asteroids

Lists

Songs | Available Demos | Official Music Videos | Official Remixes | Unreleased Songs | Live Covers, Collaborations & Solos | Official Live Releases | Digital Souvenir Packages

Side Projects

Touring Summaries

2000 And Earlier Touring Summary 2001 Touring Summary 2002 Touring Summary 2003 Touring Summary 2004 Touring Summary 2005 Touring Summary 2006 Touring Summary 2007 Touring Summary 2008 Touring Summary 2009 Touring Summary

2010 Touring Summary 2011 Touring Summary 2012 Touring Summary 2013 Touring Summary 2014 Touring Summary 2015 Touring Summary Fort Minor Touring Summary Dead By Sunrise Touring Summary Stone Temple Pilots Touring Summary

Disclaimer

We fact check all of our information before adding it to Linkinpedia, hence why it took over 15 months and 13,000~ page edits to just launch the project. We always cite as many sources as possible for new information, and we use the highest available quality for artwork that we add.

Linkinpedia / LPLive does not own any artwork or any pictures, and we're not using any for profit, etc. We will remove any photo by request. Our Photo Disclaimer, the same as LPLive's, can be found here.

This wiki is written by the fans, for the fans, with the goal of becoming the number one source of reliable, factually-correct Linkin Park information on the Internet. <metadesc>Linkinpedia is the internet's most comprehensive guide to Linkin Park.</metadesc> <metadesc content="Linkinpedia is the internet's most comprehensive guide to Linkin Park." /> {{#description2:Linkinpedia is the internet's most comprehensive guide to Linkin Park.}}